![]() Make sure that "Import into Project" is also checked.In the Effects tab below the Summary section, click the box for "SDR Conform", probably leaving the default values as-is.In the Export dialog, select the Quicktime format, Apple ProRes 422 preset (or your choice here of a good intermediate editing codec, NO H.264).Select all the clips in the bin, right-click, Export Media.Then use the newly transcoded clips in the bin to make proxies. The only way to get this media so you can work with proxies is to transcode it, to get it into Rec.709. That's been acknowledged by the engineers, and is being worked on. Unfortunately, the entire proxy workflow with HLG clips is broken at the moment. ADOBE apparently doesn't expect people to use Premier Pro for Tiktok or just doesn't care about it. This all worked fine in the previous version. This is INSANE! Adope literally has me trapped in to settings I DO NOT WANT. So if I don't click, "Match Sequence Settings," when I scroll down to the video resolution, it's set at REC 709 and REC 2100 HLG is grayed out and can't be selected. When I export the video, Iphone will no longer play it or even DL it. This changes it back to NOT washed out BUT, it only lets this export as a QuickTime file. So I hit the, "Match Sequence Settings," button. Then I go to export and it washes out again. This fixes the bright washout in PP while I'm working on it. I was told (no this forum) to set the sequence settings to rec2100 HLG. ![]() I help create videos on Tiktok for, "FlyWithKay." Everything worked great until the last update. Work around after work around and I'm still struggling to the point of canceling Permier Pro. I posted earlier about video exporting being really bright. ![]()
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